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(Alexandra Heron)
Solving the mystery of Clive Owen’s staying power
In “Monsieur Spade,” the endlessly versatile Clive Owen follows in Humphrey Bogart’s gumshoe footsteps.
By
Thomas Floyd
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Movies
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(Dia Dipasupil/Getty Images)
Sundance kicks off with robots, warriors and ‘The American Society of Magical Negroes’
Kristen Stewart, Pedro Pascal, David Alan Grier and Steven Soderbergh were among the celebrities generating buzz at this year’s film festival.
By
Sonia Rao
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Jada Yuan
Ann Hornaday
Movie Critic
‘Origin’: Ava DuVernay’s latest film is ambitious, and one of a kind
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Review
‘Origin’: Ava DuVernay’s latest film is ambitious, and one of a kind
By
Ann Hornaday
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Review
‘The End We Start From’: Slow cinema’s version of the apocalypse
By
Michael O'Sullivan
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Television
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(Amy Sussman/Getty Images)
‘Succession’ creator Jesse Armstrong says there’ll be no spinoffs
Armstrong also told the BBC that while “Succession” characters did “reprehensible” things, he didn’t “think of them as irredeemable.”
By
Adela Suliman
Lili Loofbourow
Television Critic
Last night’s Emmys did the impossible and made an awards show good TV
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Solving the mystery of Clive Owen’s staying power
By
Thomas Floyd
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The newest TV shows and movies to stream right now
By Washington Post staff
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Music
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(Bronwen Sharp)
Review
At WNO’s American Opera Initiative, three glimpses into the future
The Washington National Opera’s incubator program for young composers and librettists presented three short works in progress at the Kennedy Center.
By
Michael Andor Brodeur
Michael Andor Brodeur
Classical Music Critic
At WNO’s American Opera Initiative, three glimpses into the future
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Chris Richards
Pop Music Critic
The end of Pitchfork is an ugly omen for music journalism’s future
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Perspective
The end of Pitchfork is an ugly omen for music journalism’s future
By
Chris Richards
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’90s hitmaker No Doubt to reunite at Coachella
By
Samantha Chery
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Art
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(Walter Plotnick)
Review
In the galleries: Mesmerizing acrobatics, cartons morph into collages
An artist’s two shows focus on photocollage, multiple images of winter, interpretations of nature, and a group show on the meaning of dreams
By Mark Jenkins
Philip Kennicott
Art & Architecture Critic
The Met risked messing up its great European galleries. It paid off.
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Sebastian Smee
Art Critic
Two brilliant artists withdrew from the art world. One never returned.
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Review
The Met risked messing up its great European galleries. It paid off.
By
Philip Kennicott
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Perspective
Two brilliant artists withdrew from the art world. One never returned.
By
Sebastian Smee
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Theater
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(Margot Schulman/Studio Theatre)
Review
Studio Theatre’s ‘Love, Love, Love’ takes baby boomers to task
David Muse oversees an assured staging of Mike Bartlett’s incisive, decades-spanning play “Love, Love, Love” at Studio Theatre.
By
Thomas Floyd
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‘Mean Girls’ is an adaptation of an adaptation. It’s one of many.
By
Hanna Zakharenko
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Review
The intriguing tale of a woman’s search for her Korean birth family
By Rhoda Feng
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Video Games
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(Naughty Dog)
Review
‘The Last of Us Part II,’ remastered and dehumanized
Naughty Dog’s 2020 sequel won prestige for its storytelling. The remaster’s “No Return” mode focuses on plain, bloody fun.
By
Gene Park
Gene Park
Gaming Critic
‘The Last of Us Part II,’ remastered and dehumanized
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Perspective
The most anticipated video games of 2024
By
Gene Park
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He closed a video game shop decades ago. His games could sell for $1M.
By
Kyle Melnick
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Most Read
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(Netflix)
The newest TV shows and movies to stream right now
By Washington Post staff
2
5 mystery novels to curl up with this winter
By Karen MacPherson
3
Review
‘Origin’: Ava DuVernay’s latest film is ambitious, and one of a kind
By
Ann Hornaday
4
Review
Her brother dies. And then she assumes his identity.
By Stephen Kearse
5
‘Friends’ premiered 25 years ago. Here are 25 of the beloved sitcom’s most memorable quotes.
By
Bethonie Butler